Flatted 7th and 4th tone are faded to show these tones are in the Mixolydian mode but not in Major Pentatonic scale. You should try and mix the two with taste.
Utilize that 4th tone with discretion
A Mixolydian and A Major Pentatonic scale. G Shape 1 Flatted 7th and 4th tone are faded to show these tones are in the Mixolydian mode but not in Major Pentatonic scale. You should try and mix the two with taste. Utilize that 4th tone with discretion
A Mixolydian and A Major Pentatonic scale. E Shape Flatted 7th and 4th tone are faded to show these tones are in the Mixolydian mode but not in Major Pentatonic scale. You should try and mix the two with taste. Utilize that 4th tone with discretion
A Mixolydian and A Major Pentatonic scale. D Shape Flatted 7th and 4th tone are faded to show these tones are in the Mixolydian mode but not in Major Pentatonic scale. You should try and mix the two with taste. Utilize that 4th tone with discretion
A Mixolydian and A Major Pentatonic scale. C Shape Flatted 7th and 4th tone are faded to show these tones are in the Mixolydian mode but not in Major Pentatonic scale. You should try and mix the two with taste. Utilize that 4th tone with discretion
A Mixolydian and A Major Pentatonic scale. A Shape Flatted 7th and 4th tone are faded to show these tones are in the Mixolydian mode but not in Major Pentatonic scale. You should try and mix the two with taste. Utilize that 4th tone with discretion
A Mixolydian and A Major Pentatonic scale. G Shape Flatted 7th and 4th tone are faded to show these tones are in the Mixolydian mode but not in Major Pentatonic scale. You should try and mix the two with taste. Utilize that 4th tone with discretion
